Simone Crestani,
Italy
Simone Crestani is an Italian glass artist whose practice brings together traditional lampworking techniques and a contemporary sculptural approach. Inspired by the natural world, he creates transparent glass forms distinguished by their purity, delicate proportions and organic geometry. His work moves between sculpture and design, exploring the expressive possibilities of glass through lightness, balance and clarity.
Curatorial Profile
Simone Crestani’s practice is rooted in an unusually early connection with glass. Having begun working with the material at the age of fifteen, he developed an intuitive understanding of its behaviour and expressive possibilities. In 2010, he established Atelier Crestani, where he continues to explore the potential of lampworked glass across sculpture and design.
Nature provides the central point of reference in Crestani’s work. Drawing on the geometry, proportions and organic irregularities of the natural world, he translates these observations into a distinctive sculptural language. His sculptures combine the delicacy of transparent glass with carefully considered structures, creating forms that appear both precise and naturally evolved.
Transparency is fundamental to his sculptural language. Through the interaction of light and transparent glass, Crestani emphasises the relationship between form, space and perception. His compositions often convey a sense of weightlessness, despite the technical complexity involved in their creation.
His approach brings together the discipline of traditional craftsmanship and a continuing interest in experimentation. Working across different scales, from intimate objects to larger sculptural and design projects, Crestani investigates how the same material can express both structural precision and poetic imagination.
Recognised as a Master of Arts and Crafts in 2020, Crestani has developed a distinctive artistic language in which technical mastery serves a broader exploration of natural beauty, harmony and the transformative qualities of glass.
House of Glass Gallery
Artist Statement
What I love about glass is that it chose me, and I simply reciprocated that love.
I was 15 when I found myself working with glass. It was during a summer internship. I was immediately drawn to the ease with which I could control it. While I eventually realized this craft is not for everyone, it always felt natural to me.
I truly admire the purity of glass and the process by which it transforms from an incandescent, “Luciferian” material into something transparent and celestial.
I am fascinated by the geometry of nature’s forms and its imperfect, yet always harmonious beauty. My aesthetic universe is composed of clean and balanced shapes inspired by the beauty found in nature.
Selected Works
Façon de Venise - Riverenza | 2024
Flameworked borosilicate glass
Ø 13 × H 55 cm
Photography: Atelier Crestani
Glass Bonsai - Winter Touch | 2021
Flameworked black borosilicate glass
L 45 × W 40 × H 70 cm
Photography: Alberto Parise
Florilegio | 2025
Iris pseudacorus · Papaver rhoeas · Convallaria majalis
Flameworked borosilicate glass
Iris pseudacorus: 8.7 × 8.7 × 31.3 cm
Papaver rhoeas: 13 × 13 × 17.5 cm
Convallaria majalis: 9 × 9 × 29 cm
Photography: Atelier Crestani
Desere - Garden of Reflections | 2025
Borosilicate glass, mirror, wood
Flameworking, engraving and grinding
120 × 60 × 60 cm
Photography: Atelier Crestani
Dancing Tulips | 2026
Flameworked borosilicate glass
Various dimensions: W 12–24 × D 9–20 × H 28–42.5 cm
Photography: Atelier Crestani
Blossom Bonsai - Rebirth | 2020
Flameworked borosilicate glass
L 50 × W 45 × H 75 cm
Photography: Alberto Parise
Fig Centerpiece | 2026
Flameworked borosilicate glass
90 × 68 × 65 cm
Photography: Atelier Crestani
Florilegio | 2025
Flameworked borosilicate glass
Various dimensions: Ø 9–16 × H 16–32 cm
Photography: Atelier Crestani
Desere - June in the Wheat Fields | 2026
Borosilicate glass, mirror, wood
Flameworking, engraving and grinding
110 × 55 × 55 cm
Photography: Atelier Crestani
Prismatic Pool | 2025
Flameworked borosilicate glass, brass, LED lighting
Borosilicate glass elements assembled on a brass structure
Wall: 220 × 35 × 280 cm
Pendant: 200 × 180 × 250 cm
Sconce: 70 × 45 × 35 cm
Photography: Alberto Parise